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Robert Glasper – In My Element – Blue Note Classic Vinyl Series 180g 2LP Vinyl
Robert Glasper’s 2005 Blue Note debut Canvas signaled the arrival of a singular new voice in jazz and his 2007 follow-up In My Element solidified his status as a rising star who was taking the music someplace new. Featuring bassist Vicente Archer & drummer Damion Reid, the album expanded the possibilities of where a modern jazz piano trio might go by delving further into his hip-hop & gospel roots.
This 2-LP Blue Note Classic Vinyl Edition was mastered by Kevin Gray and pressed on 180g vinyl at Optimal.
Rosa Passos and Ron Carter – Entre Amigos – 180g Chesky Records White Vinyl LP
Experience the intimate elegance of Brazilian jazz with Entre Amigos, a breathtaking collaboration between Rosa Passos and Ron Carter, now available on 180g white vinyl from Chesky Records. Featuring Passos’ smooth, velvety vocals and Carter’s masterful double bass, this album blends bossa nova and jazz into a warm, sophisticated listening experience. Pressed on high-quality 180g white vinyl, this audiophile edition ensures superior clarity, depth, and richness, allowing every delicate note and rhythmic nuance to shine. A must-have for bossa nova enthusiasts, jazz lovers, and vinyl collectors, Entre Amigos is a timeless recording that embodies musical finesse and pure emotion.
Roy Haynes – Out Of The Afternoon – Analogue Productions 180g Vinyl
Released in the summer of 1962 on Impulse! Records, Out Of The Afternoon is an album by jazz drummer Roy Haynes. It features multi-instrumentalist Roland Kirk among the musicians in the Haynes Quartet.
Roy Haynes was just about everywhere in the golden age of jazz, recording classic albums with some of the most legendary names of the genre: Miles, Coltrane, Monk, Bud Powell, Sarah Vaughan, Sonny Rollins, Eric Dolphy, Milt Jackson, McCoy Tyner and Jackie McLean. The hard-bop-verging-on-post-bop Out Of The Afternoon is an excellent example of the adventurous spirit that was taking flight in the jazz world in the early 1960s.
Run DMC – King of Rock – Mofi 180g SuperVinyl LP
IN AUDIOPHILE QUALITY FOR THE FIRST TIME: SOURCED FROM THE ORIGINAL MASTER TAPES
1/2″ / 15 IPS analog master to DSD 256 to analog console to lathe
Run-D.M.C. leaves no doubt about its intent on King of Rock. The New York trio’s hard-hitting sophomore album begins with a statement of purpose (“Rock the House”) that serves as a stereophonic primer for the title track, a hybrid warning-anthem-theme song that swarms with justified boasts, heavy metal riffs, booming beats, cowbell accents, and dance-worthy grooves. The back-to-back tunes set the tone for a 1985 record that largely established the blueprint for the hip-hop that would follow for the next two decades — and which helped make rap a mainstream currency via the previously off-limits channels of radio, TV, and the national stage.
Run DMC – Raising Hell – Mobile Fidelity 180g SuperVinyl
Run DMC – Run DMC – Mofi 180g 33RPM SuperVinyl LP
The Album That Invented Hardcore Hip-Hop: Run-D.M.C. Changed The Sound Of Music And Popular Culture
Run-D.M.C.'S 1984 Debut Benefits From Restorative Treatment On Mobile Fidelity's 180G Supervinyl 33Rpm Lp: Limited To 3,000 Numbered Copies, Includes New Liner Notes
1/2" / 15 IPS analog master to DSD 256 to analog console to lathe
The impact, influence, and importance of Run-D.M.C.'s self-titled debut – the album that invented hardcore hip-hop and bridged rap, rock, and funk in then-unparalleled ways – cannot be measured. The first full-length record released by Profile Records, the 1984 set permanently changed the sound of music, broadcast streetwise wisdom to every corner of the country, and made the notion of a one-man band a distinct reality. Bolstered by an incendiary blend of staccato deliveries, stark beats, aggressive exchanges, evocative hooks, and socially conscious messages, Run-D.M.C. still hits listeners in the jaw with the same intensity it did nearly 40 years ago when it could be heard booming from ghetto blasters carried around city blocks nationwide.
Ruth Brown – Rock & Roll – 180g 33RPM Mofi Mono Vinyl LP
The Dynamite Sound Of “Miss Rhythm” And The Singer That Helped Build An Iconic Label: Ruth Brown’s Rock & Roll Bristles With Electrifying Emotion, Vocal Power, And R&B-Fueled Energy
Reissued in Audiophile Quality in Partnership with Atlantic Records’ 75th Anniversary: Mobile Fidelity 180g Mono LP Is Pressed at RTI and Strictly Limited to 2,000 Numbered Copies
1/4″ / 15 IPS to DSD 256 to analog console to lathe
Rock & Roll, indeed. Ruth Brown’s sizzling full-length debut — also known by its eponymous title — symbolizes what was exciting, fresh, invigorating, and raw about the burgeoning style in its halcyon days. Originally released in 1957, and reissued here in audiophile quality for the first time in partnership with Atlantic Records’ 75th anniversary, the set remains a testament to one of the most pioneering and talented vocalists to ever command a stage.
Ry Cooder – Buena Vista Social Club – Analogue Productions 180 Gram 4 LP Vinyl
IN STOCK NOW
Transport yourself to the vibrant streets of Havana with the Buena Vista Social Club’s eponymous album, a captivating journey into the heart of Cuban music! Recorded in 1996 by acclaimed producer Ry Cooder, this timeless masterpiece celebrates the rich tapestry of Afro-Cuban rhythms and soulful melodies that have enchanted audiences for generations.
Santana – Abraxas – 180g 33RPM Mofi SuperVinyl LP
BACK IN STOCK
Abraxas Remains The Consummate Latin Rock Record: Sophomore Santana Effort Includes “Black Magic Woman,” Ranks #334 On Rolling Stone’s List Of The Greatest Albums Of All Time
Sourced from the Original Analog Master Tapes for Exceptional Sound: Mobile Fidelity’s Numbered-Edition 180g 33RPM SuperVinyl LP Plays with Remarkable Clarity, Depth, Detail, and Presence
1/4" / 15 IPS analog master to DSD 64 to analog console to lathe
Santana – Amigos – 180g 33RPM Mofi Vinyl LP
IN STOCK NOW
Mobile Fidelity’s Reissue of the 1976 Effort Plays with Involving Energy, Presence, and Depth: 180g 33RPM LP Is Strictly Limited to 3,000 Numbered Copies 1/4" / 15 IPS / Dolby A Analog Copy to DSD 256 to analog console to lathe Amigos has been beloved for decades by both long-time and recent Santana admirers, with multiple generations of fans drawn in by the record’s contagious blend of R&B, Latin, rock, and funk elements. As well as its immense accessibility. Coming off a series of albums that heavily leaned into jazz fusion, the band returns to the more dynamic and concise approaches of its earlier works without losing the sense of adventurousness, craftsmanship, and virtuosity that turned it into a juggernaut embraced by both the mainstream and experimentally minded communities.
Santana – Blues for Salvador – 180g 33RPM Mofi Vinyl LP
IN STOCK NOW
BLUES FOR SALVADOR EARNED CARLOS SANTANA HIS FIRST GRAMMY AWARD: 1987 “SOLO” ALBUM PURSUES JAZZ, FUSION, AND ROCK DIRECTIONS Sourced from the Original Master Tapes and Strictly Limited to 3,000 Numbered Copies: Mobile Fidelity’s 180g 33RPM Vinyl LP Presents the Largely Instrumental Record in Audiophile Quality for First Time Domestically 1/2” / 30 IPS / Dolby SR analog master to DSD 256 to analog console to lathe Few artists were more prolific than Carlos Santana during the 1970s and 80s. By the time he released Blues for Salvador, the fourth album billed to the Rock and Roll Hall of Famer as a lone solo artist, he kept a pace that saw him release LPs at a more than one record-per-year clip ever since the launch of his group’s 1969 debut. No wonder this 1987 effort would be Santana’s last work until 1990; he deserved the rest. And with the largely instrumental Blues for Salvador, he entered into the break on a high note — one that earned him his first Grammy Award.
