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Johnny Cash – At Folsom Prison – 180g 45RPM 2LP Mofi Vinyl
IN STOCK NOW!
The 1968 Album On Which Johnny Cash Became A Legend: At Folsom Prison Among The Most Important And Potent Statements Of The 20Th Century
Mastered on MoFi’s Mastering System: Mobile Fidelity Numbered-Edition 180g 45RPM 2LP Set Plays with Arresting Immediacy, Spaciousness, and Directness
1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe
Johnny Cash already knew his way around Folsom Prison when he and his band stepped inside the institution’s forbidding walls on the morning of January 13, 1968 to record At Folsom Prison. He’d played there two years prior. But this time was different.
Bob Dylan – Good As I Been To You – MOBILE FIDELITY SACD
A Visionary Survey of American Music and its Vast Landscapes: Tours Swing, Blues, Country, Folk, and Vaudeville En Route to Becoming a Roots-Rock Landmark
Bob Dylan’s Love and Theft is a visionary train ride through the vast American landscape and all its hills, valleys, mountains, river towns, and urban and rural settlements. As they burrow into villages and barrel across trestle bridges, the 2001 record’s songs introduce us to outlaws, outliers, gamblers, brawlers, tricksters, bootleggers, and scoundrels. It is, in effect, a commanding survey of and plunge into American music. Named the best album of the year by Rolling Stone and the Village Voice‘s Pazz & Jop Critics Poll, anointed the second-best album of the decade by Newsweek, and later declared the 385th Greatest Album of All Time by Rolling Stone, Love and Theft remains the Nobel Laureate’s finest effort since 1975’s Blood on the Tracks – and an extension of the jesting, imagery, and free-form looseness present on his seminal 1960s works. Now, it possess knock-out sound.
Alice Cooper – Welcome To My Nightmare – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
Tonar 5988 – Pure Rubber Turntable Mat
Supra SWF-16 IEC 16A Connector
Joni Mitchell – Blue – MoFi 180g 45RPM SuperVinyl 2LP Box Set
In Stock
Blue Reaches New Audiophile Heights On Ultradisc One-Step
1/4" / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe
Deemed the third Greatest Album of All Time by Rolling Stone; universally celebrated by critics, fans, artists, and educators; and defined by a spell of disarmingly vulnerable songs at once confessional, intense, spare, honest, painful, hopeful, and exquisite, Blue charts love, spiritualism, independence, and loss like no record before or since. It is the epitome of brilliance – and sounds more intimate, involving, and inescapable than ever on MoFi SuperVinyl via Mobile Fidelity’s UltraDisc One-Step 180g 45RPM 2LP box set.
Ella Fitzgerald and Louis Armstrong – Ella & Louis – Analogue Productions 180g Stereo Vinyl
It is undeniable that Billie Holiday’s singing changed in her later years. Her voice darkened and shifted to a lower range. Her economy of means distilled her sound to its expressive essence — a kind of heightened speech. The classic LP Songs For Distingue Lovers has also deepened and become burnished with time. Maybe it’s that still-arresting word, “distingue”; maybe it’s that iconic, tinted image of Lady Day on the cover. But now that legendary LP, with the singer’s best studio work of the Fifties, is available through the Acoustic Sounds Series.
Johnny Winter – Johnny Winter – 180G Speakers Corner Vinyl
Duke Ellington – Ellington Indigos – Impex Records 180g Stereo Vinyl
Winner of a Gruvy Award, chosen by AnalogPlanet’s editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed.
An all-analog shot of pure Duke at his most soulfully nocturnal. From the cats who brought you Time Further Out and Friday and Saturday Nights At the Blackhawk. Impex Records is making your nights a little cooler.
Lee Morgan – The Sidewinder (Blue Note Classic Series) – Blue Note Vinyl
Lee Morgan’s magnum opus The Sidewinder—recorded in 1963 and release in 1964—was both a comeback and a coronation. The prodigious trumpeter had debuted on Blue Note in 1956 at the age of 18, but personal problems in the early-60s forced him off the scene temporarily. His rebound recording turned out to be The Sidewinder, an assured and energetic set of 5 indelible Morgan originals featuring tenor saxophonist Joe Henderson, pianist Barry Harris, bassist Bob Cranshaw, and drummer Billy Higgins. The album became his biggest commercial success fueled by the irrepressible title track.
