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TOPPING D90 MQA Balanced DAC
Balanced DAC AK4499 XMOS XU216 I2S 32bit 768kHz DSD512 MQA Black
A direct successor to the D70 Topping, the D90 benefits from the same refinements as its big brother while updating its DAC with a newer and more efficient version, the AK4499 AKM. For the rest, it largely follows the excellent internal design of the previous model and its exceptional performance. This version includes an MQA decoder and supports full decoding of this type of file format on its USB input.
Clearaudio Smart Matrix Silent Record Cleaning Machine
Clearaudio’s ‘Matrix’ record cleaners have long been renowned for their gentle yet highly effective vacuum cleaning capabilities.
Shhh… the new Smart Matrix Silent is the quietly elegant, and impressively user-friendly, successor to the brand’s earlier Smart Matrix Professional modEL.
Please check with us about availability before ordering.
The Doors – The Soft Parade 180g 45RPM 2 LP Analogue Productions Vinyl
A 2014 Stereophile 'Record To Die For'
Mastered by Doug Sax and overseen by Bruce Botnick, The Doors producer/engineer.
Two 45 rpm LPs pressed on 180-gram vinyl at Quality Record Pressings
Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings!
About Soft Parade, Rolling Stone described two songs written by guitarist Robby Krieger, “Touch Me” and “Follow Me Down” as horn-string showpieces for the resonant baritone of Jim Morrison.
Rahsaan Roland Kirk: Blacknuss
From its opening bars, with Bill Salter's bass and Rahsaan's flute passionately playing Bill Withers' "Ain't No Sunshine", you know this isn't an ordinary Kirk album (were any of them?). As the string section, electric piano, percussion, and Cornel Dupree's guitar slip in the back door, one can feel the deep soul groove Kirk is bringing to the jazz fore here.
MCRU Linear Power Supply for Topping DAC’s + Amplifiers – 15V DC
Available Upgrades
OPTION ONE - Standard Model - Basic mains lead £235
OPTION TWO Kimber DC Kable, Furutech Gold plated IEC inlet, AMR Gold plated fuse, Supra Lorad mains lead to suit your country £335
OPTION THREE Pure Silver DC Cable, Furutech Rhodium plated IEC inlet, SR Orange fuse, MCRU No. 75 mains lead to suit your country £595
The Cars – Shake It Up 180g Mofi Vinyl
Numbered Edition 180-gram LP Sourced from Original Master Tapes
A return to form after the departure that was 1980’s muddled Panorama, the Cars’ Shake It Up bursts forth with a rich assembly of synthesizers, drum machines, electronic blips, and catchy melodies that make it an early 80s pop staple. Known the world over, the famous title track proves the band’s arrangement skills were in perfect shape and set the stage for a record overflowing with memorable hooks and complementary rock riffs.
Furutech CF-202R NCF Banana Plugs
- Reference quality banana plugs
- Sold as pairs
WBT-0702.012 Classic Pole Terminal (Set of 2)
Product for the most exacting requirements in terms of signal transmission, mechanical stability and design
Superb mechanical properties, solid design and two separate clamping nuts ensure high contact pressure and hence consistently low transition resistance levels – the precondition for absolutely minimum effects on sound quality. The elegant design of the pole terminal is further enhanced by the multi layer gold-plated surface that reliably prevents corrosion.
WBT-0210AgMs RCA Sockets, Set of 2
nextgen™ - a new generation of connectors from WBT
75-ohm characteristic impedance means that these sockets not only transmit superb analogue signals but also outstanding digital audio and video signals. The transmission bandwidth is 1 GHz.
These RCA sockets (for amplifiers, CD players, etc.) feature WBT’s nextgen™ technology. Both positive and negative connection contacts are of pure fine-silver, providing performance of the highest level.
Bob Dylan – Pat Garrett & Billy the Kid Hybrid SACD
Mastered from the original master tapes on Mobile Fidelity's world-renowned mastering system, and strictly limited to 2,500 numbered copies, this hybrid SACD features reference-level instrumental separation and full-bodied tones that allow the songs to blossom amidst soundstages whose dimensions are limited only by the breadth of your stereo system. The flinty, raw acoustic edge of Dylan and Bruce Langhorne's guitars come into immediate relief. Booker T. Jones' relaxed albeit taut bass, Jolly Roger's down-home banjo, Russ Kunkel's textured bongos, and the crucial string accompaniments similarly flourish.
