AMR Audio – AM-777 SE Amplifier
AMR Audio - AM-777 SE Pre-Main Amplifier - Pre-owned
Music is emotion.
From the first note to the last, music should move you. If it doesn’t, then get ready for the AM-777 to rock your world.Stirring sounds.
It’s predecessor, the AM-77, was a real game-changer for amplifiers, but the AM-777 goes one step further by producing music that stirs your emotions. Vocals are elevated and instruments are separated to produce first class musicality. And the AM-777 achieves this by injecting:- speed
- rhythm
- life
You got the look.
With it’s brushed aluminium chassis, the AM-777 doesn’t only sound high-quality, it looks it too, which means not only will your music sound good, it will also look good. Outperforming larger and more expensive separates, LUMIN M1 shouldn't be dismissed as a second system. With 60W of amplifying power it can drive room-filling speakers and has the same musical heart as every other LUMIN music player.Anne Bisson – Keys To My Heart 180g 45RPM One Step Vinyl
Anne Bisson Trio – Four Seasons In Jazz Live At Bernie’s – Direct to Disc Vinyl
Apogee MIni DAC Linear Power Supply
Arcam irDAC Linear Power Supply
Arnett Cobb – Ballads By Cobb – Analogue Productions 180g Stereo Vinyl
Originally released in November 1960, Ballads by Cobb, as its title suggests, is all slow ballads, putting the emphasis on the Texas tenor’s warm tone.
A Texas tenor player in the tradition of Illinois Jacquet, Arnett Cobb’s accessible playing was between swing and early rhythm & blues. His stomping, robust style earned him the title “Wild Man of the Tenor Sax.”
Art Blakey & The Jazz Messengers – First Flight To Tokyo: The Lost 1961 Recordings – Blue Note Records 180g Vinyl
A previously unreleased live recording of drum legend Art Blakey with a classic line-up of the Jazz Messengers, featuring trumpeter Lee Morgan, tenor saxophonist Wayne Shorter, pianist Bobby Timmons, and bassist Jymie Merritt. It was captured on January 14, 1961, at Hibiya Public Hall in Tokyo during the band’s first-ever tour of Japan. Co-produced by Zev Feldman and David Weiss, the audio was newly transferred from the original 1/4″ tape reels.