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Clearaudio TT5 Tangential Tonearm – Black
With the TT5, Clearaudio offers vinyl fans a more affordable entry point into tangential tonearm technology.
WHY GO TANGENTIAL?
In a conventional pivoted tonearm, the arm is ‘dragged’ across the record’s surface by the stylus following the record groove. A similar motion occurs in Clearaudio’s tangential tonearms, but the arm moves tangentially, with the stylus propelling the tonearm along a linear bearing which comprises a carriage running on precision rollers along a meticulously polished glass rail. The cartridge therefore remains parrallel to the record groove, following the same path as the cutting head did when making the record, thus eliminating any lateral tracking error. And since the record groove, stylus, cantilever and tonearm are perfectly aligned, no side forces are generated and so anti-skating compensation is no longer required. Tracking force and azimuth are easily and finely adjustable so that the cartridge and stylus are always in the perfect position to read the musical information in the record groove.
Clearaudio Turntable Level Gauge – Basic Version
Clearaudio Virtuoso V2 Moving Magnet Cartridge
The Clearaudio V2 moving magnet cartridges are meticulously measured, analysed, and hand-selected into four performance levels. In this way Clearaudio achieves the best stereo channel matching, minimum phase error and distortion, flattest frequency response and highest dynamic range at each price point.
The cartridges produce an audiophile sound of superlative quality – spatially detailed and vividly textured, with bass that does not wallow and treble that is not harsh. The models of the Clearaudio MM V2 series provide outstanding sound quality on all current tonearms. With the exception of the MM V2 Concept, which is made of aluminium, all the cartridges in this series are made with housings of hand-polished ebony – the key to record-breaking weight values.
Clifford Jordan – Cliff Jordan – Blue Note Tone Poet Series 180g Vinyl
Under-recognized tenorman Clifford Jordan blew in from Chicago with a trio of excellent Blue Note sessions in 1957 including Cliff Jordan featuring a septet with Lee Morgan on trumpet, Curtis Fuller on trombone, John Jenkins on alto, Ray Bryant on piano, Paul Chambers on bass & Art Taylor on drums.
This mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.
Coleman Hawkins – Coleman Hawkins and Confreres – Analogue Productions 200g 45 RPM Vinyl
Mastered by George Marino at Sterling Sound
“…these are all truly classic Verve titles that you simply don’t want to miss…most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I’d definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!” Winner of a 2012 Positive Feedback Online Writers’ Choice Award – Danny Kaey, Positive Feedback Online, November/December 2011
