Select Page

Bob Dylan & The Band | Basement Tapes | MOFI 2 x 180g Vinyl LP


  • Numbered Limited Edition

In stock

Product price
Additional options total:
Order total:
Categories: , ,



Audiophile Sound at Last: Sonic Subtleties, Loose Interplay, Organic Spirit, Warm Textures Presented Like Never Before on Definitive Mobile Fidelity Reissue
Basements have long been associated with raw, off-the-cuff rock n’ roll, the damp and dark spaces serving as the wood shedding venues for countless bands. Yet no basement is more famous, and none yielded music as familiarly weird, wholesomely American, joyously loose, and identifiabley humorous as that in the upstate New York house dubbed Big Pink—the location where, during the summer and early fall of 1967, Bob Dylan and The Band played a vivid tapestry of covers, originals, and traditional’s that signalled the advent of Americana. Once again, the Bard changed the world.

As part of our Bob Dylan catalogue restoration series, we are thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on dead-quiet LPs at RTI. The end result is the very finest, most transparent analogue edition of The Basement Tapes ever produced—and the first-ever analogue reissue. Inimitable, the particulars of The Basement Tapes—especially, the gather-‘round-in-a-huddle assembly of the instrumentalists, home-made character, domestic vibe, and low-volume nature of the recordings—come to fore here in a manner that takes the listener down the stairs at 2188 Stoll Road and brings the images of Dylan, Rick Danko, Robbie Robertson, and Co. to life.

Fresh off experiencing a motorcycle accident and the wrath of audiences hostile to his embrace of amplified music, Dylan elected to retreat to the comforts of rural and family life. He soon began collaborating with members of the Band in his house, ultimately moving the sessions to Big Pink. Informal, peaceful, relaxed, open-minded: The collaborations blanket country stomps, roots hootenannies, forgotten spirituals, earthy originals, chaotic marches, dream spaces, dance tunes, folk laments, catch-as-you-can improvisations. On The Basement Tapes, mythical ghosts and dead legends reappear, revealing in the absurdity, comedy, mystery, aura, and alchemy.

In Invisible Republic, his scintillating book about the sessions, cultural critic Greil Marcus states: “At a time when the country was tearing itself apart in a war at home over a war abroad, the music was funny and comforting; it was also strange, and somehow incomplete. Out of some odd displacement of art and time, the music seemed both transparent and inexplicable when it was first heard, and it still does.” Indeed, The Basement Tapes appear to emanate from an indefinable chasm between modern and ancient, self-evident and mysterious, shapeless and fully formed, abstract and concrete, histories unwritten and chronicled. But every note chimes with freeness—a liberating fun, humble simplicity, and bond-creating camaraderie felt in every hoot, holler, laugh, and false start.

The Basement Tapes’ capacity to remain so gloriously honest and timeless—performances that genuinely could’ve been made today, ten years from now, or back in the 1930s—helps account for their emotional resonance and unsurpassed reputation as a snapshot of how unencumbered American music, and art with deep historical roots and connective cultural tissues, is supposed to sound.

Our reissue squares away the late-night bleariness, jovial atmosphere, low-ceiling dimensions, and ensemble-based perspective of the sessions, allowing the listener to become Hamlet, the dog who slept nearby Dylan, Robertson, and Co. as it all went down. This is not to be missed.


SIDE ONE                                                                                                                                                                                                                                                                                                                                                  Odds And Ends    1:47
Orange Juice Blues (Blues For Breakfast)    3:39
Million Dollar Bash   2:32
Yazoo Street Scandal    3:29
Goin’ To Acapulco    5:27
Katie’s Been Gone    2:46

Lo And Behold    2:46
Bessie Smith    4:18
Clothes Line Saga    2:58
Apple Suckling Tree    2:48
Please Mrs. Henry     2:33
Tears Of Rage    4:15

Too Much Of Nothing    3:04
Yea! Heavy And A Bottle Of Bread    2:15
Ain’t No More Cane    3:58
Crash On The Levee (Down In The Flood)    2:04
Ruben Remus    3:16
Tiny Montgomery    2:47

You Ain’t Goin’ Nowhere    2:42
Don’t Ya Tell Henry    3:13
Nothing Was Delivered    4:23
Open The Door, Homer    2:49
Long Distance Operator    3:39
This Wheel’s On Fire    3:52

Additional Info

Additional information

Weight 0.5 kg

Reviews (0)


There are no reviews yet.

Only logged in customers who have purchased this product may leave a review.

Ask a Question

Ask a question about this product

We'll get back to you as soon as possible.




By using this website you agree to accept our Privacy Policy and Terms & Conditions

Got A Question?
Got A Question?
How can we help you?
The lights are on but no ones home. Please try again later
The lights are on but no ones home. Please try again later
Have you got question? Write to us!
This chat session has ended
Was this conversation useful? Vote this chat session.
Good Bad