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Joe Walsh – The Smoker You Drink, The Player You Get – Analogue Productions 200g Vinyl
John Coltrane – Ballads – 45 RPM 200G – Analogue Productions UHQR Vinyl
IN STOCK
You're about to experience Ballads at its peak of vinyl perfection — in UHQR format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.
For this 45 RPM 2LP edition you'll also receive a !2" x 12" 12-page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall.
John Coltrane – My Favorite Things – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
IN STOCK
John Coltrane’s landmark 1961 jazz album My Favorite Things was born of the same recording sessions that yielded a majority of the albums Coltrane Plays the Blues(1962), Coltrane’s Sound (1964), and Coltrane Legacy. That My Favorite Things was recorded in less than three days was in itself, remarkable.
John Coltrane – With The Red Garland Trio – Analogue Productions 200g Vinyl
For his second long player, John Coltrane (tenor saxophone) joined forces with his Prestige labelmate Red Garland (piano) to command a quartet through a five-song outing supported by a rhythm section of Paul Chambers (bass) and Art Taylor (drums). The absence of any unessential instrumentalists encouraged a decidedly concerted focus from Coltrane, who plays with equal measures of confidence and freedom. The Coltrane original “Traneing In” Is a rousing blues that exemplifies the musical singularity between Coltrane and Garland. Even though Garland, the pianist, takes charge from the start, the structure of the arrangement permits the tenor to construct his solo seamlessly out of Garland’s while incrementally increasing in intensity, yet never losing the song’s underlying swinging bop.
John Prine – John Prine – Analogue Productions 180g 45RPM 2LP Vinyl
All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
John Prine – John Prine – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
Johnny Hodges – Blues A Plenty Analogue Productions 200g 45RPM Vinyl
One of the giants of the alto saxophone, Johnny Hodges was perhaps the most important soloist and sideman in Duke Ellington's orchestra from 1928 up to Hodges' death in 1970. The self-taught player made many solo forays during his long career - one of his '50s outfits included a young John Coltrane - but history remembers Hodges for his virtuosic sidemanship, particularly his sensitive rendering of ballads.
Julie London – Latin In A Satin Mood – Analogue Productions 200g Vinyl
Analogue Productions has brought back Julie London sings Latin In A Satin Mood in dramatic, deserving fashion. Remastered by Kevin Gray at Cohearent Audio, and plated and pressed on 200-gram vinyl at Quality Record Pressings, the crispness and vibrancy of this recording is spectacular.
Exotic and Latin albums were big deals in the 1950s and early ’60s, and singers as diverse as Dean Martin, Lena Horne, and Peggy Lee were recording with castanets and bongo drums. Like Peggy Lee, London combines a restrained vocal approach with jazz phrasing and a cool attitude with icy sex appeal on this album of relaxing Latin standards. Julie does look beautiful on the cover, and the backup male “mariachi-esque” serenade ads to the romantic ambiance.
Lowell Graham & National Symphonic Winds – Center Stage – Analogue Productions (Wilson Audiophile) Vinyl
From Wilson Audiophile Recordings comes Center Stage, featuring Lowell Graham conducting the National Symphonic Winds.
These recordings were made in a historic concert hall on the campus of Hampton University in Hampton Roads, Va. The history of the hall parallels somewhat New York’s Carnegie Hall. The musicians in the National Symphonic Winds come from the premier military bands of the United States as well as the Virginia Symphony Orchestra. The result was a superb mix of seasoned and assured professionals for this single, five-hour recording session.
Matchbox Twenty – Yourself Or Someone Like You – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
IN STORE NOW!
Described by AllMusic as the standard-bearer for post-alternative rock 'n' roll because of its '90s production dynamics, while still holding true to its classic rock core, Yourself or Someone Like You — the debut album from Matchbox Twenty — features sturdy songs and fairly strong hooks, all delivered forcefully with lead singer-songwriter Rob Thomas's distinctive bravado.
Miles Davis – Birth Of The Blue (Black Vinyl Un Numbered Edition) Analogue Productions 180 Gram Vinyl Record
NOW IN STOCK
Analogue Productions is proud to present Birth of the Blue in an exclusive first-of-its-kind stand-alone release that reflects our reputation for meticulous production, capturing authentic sound with clarity, depth and fidelity that exceeds the audiophile standard. Miles Davis's Kind of Blue was the number-one jazz album in history. It totaled five songs. There are four more songs from that same historic group, recorded in the same time period and at the same studio. And here they are. These songs deserve to stand on their own with artwork to highlight the quality of the music and that matches the time period of the recording. This is a rare opportunity to have a smash follow-up to what many consider the greatest jazz record ever!
