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A Tribute To Ella Fitzgerald – Clare Teal 180g Vinyl
Al Di Meola, John McLaughlin & Paco De Lucia SATURDAY Night In San Francisco Limited Edition 180g LP
Now In Stock
Audiophile 180g 33rpm Vinyl LP Never before released!!!
Assembled from the original 16-track analog live session tapes by Al Di Meola with engineers Katsu Naito & Roy Hendrickson Mastered from analog tapes by Bernie Grundman at Bernie Grundman Mastering Pressed at Record Technology Inc. Deluxe new packaging with never-before-seen photos Exclusive essay by Charles L. Granata feat. new interviews with Al Di Meola & original recording engineer Tim Pinch Long-Awaited Follow Up To Friday Night In San Francisco! From Original 16-Track Analog Live Session Tapes by Al Di Meola, Katsu Naito & Roy Hendrickson! Mastered From Analog Tapes by Bernie Grundman! Pressed at RTI!
Al Di Meola, John McLaughlin + Paco De Luca – Friday Night In San Francisco 33RPM Vinyl
Alan Parsons – I Robot – MoFi Ultradisc 180g 33RPM Vinyl Box Set
IN STOCK NOW!!
MASTERED FROM THE ORIGINAL MASTER TAPES: ULTRADISC ONE-STEP LP ELEVATES THE AUDIOPHILE STANDARD WHILE OFFERING ONE-FLIP CONVENIENCE Most audiophiles know Alan Parsons Project’s I Robot by heart. Engineered by Parsons after he performed the same duties on Pink Floyd’s Dark Side of the Moon, the 1977 record reigns as a disc whose taut bass, crisp highs, clean production, and seemingly limitless dynamic range are matched only by the sensational prog-rock fare helmed by the keyboardist. Not surprisingly, it’s been issued myriad times. Can it be improved? Relish Mobile Fidelity’s stupendous UltraDisc One-Step 180g 33RPM box set and the question becomes moot.
Alan Parsons – I Robot – MoFi Ultradisc 180g 45RPM 2LP Box Set
AVAILABLE TO PRE-ORDER
MASTERED FROM THE ORIGINAL MASTER TAPES: ULTRADISC ONE-STEP SET IS THE ULTIMATE ANALOG VERSION OF 1977 AUDIOPHILE STANDARD Audiophiles don’t need any introduction to the Alan Parsons Project’s I Robot. Engineered by Parsons after he performed the same duties on Pink Floyd’s Dark Side of the Moon, the 1977 record reigns as a disc whose taut bass, crisp highs, clean production, and seemingly limitless dynamic range are matched only by the sensational prog-rock fare helmed by the keyboardist. Not surprisingly, it’s been issued myriad times. Can it be improved? Relish Mobile Fidelity’s stupendous UltraDisc One-Step 180g 45RPM 2LP box set and the question becomes irrelevant.
Anne Bisson Trio – Four Seasons In Jazz Live At Bernie’s – Direct to Disc Vinyl
Carole King – Tapestry – MoFi Ultradisc 180g 45RPM 2LP Box Set
CHASING THE DRAGON – Quentin Collins All Star Quintet – A Day in the Life – 180g Vinyl
Part Of The Direct Cut Recording Series On 180g Vinyl LP!
“Quentin Collins is a leading figure on the British jazz scene, comfortable with many styles but most often adopting the post-bop language of players like Lee Morgan and Freddie Hubbard. Collins performs with a wide range of musicians and appears regularly at London’s most prestigious jazz venues, including Ronnie Scott’s and Club 606. The artist plays carbon fiber daCarbo instruments, said to optimize vibration so less energy is wasted in the air column within the horn. “ Absolute Sound
Crosby Stills & Nash – MoFi Ultradisc OneStep 180g 45RPM 2LP Box Set
Dave Brubeck Quartet – Time Out – Analogue Productions 45RPM 180g Vinyl
Analogue Productions and Quality Record Pressings present the definitive Time Out by The Dave Brubeck Quartet
First time reissued as a gatefold jacket, with rare black and white photos from the Columbia Studios recording session. Heavy-duty chipboard shell stock by Stoughton Printing
200-gram, double LP set cut at 45 RPM by Bernie Grundman and pressed at Quality Record Pressings
Eagles – On The Border – MoFi Ultradisc 180g 45RPM 2LP Box Set
NOW IN STOCK
MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES, PRESSED AT RTI ON MOFI SUPERVINYL, AND LIMITED TO 10,000 NUMBERED COPIES With its name indicative of the music’s boundary-testing diversity and Southwestern inspiration, On the Border finds the Eagles leaving everything on the table and embracing a harder edge that takes the band out of more relaxed territory and establishes it as a group that knows how – and wants – to rock. Glenn Frey, Don Henley, new member Don Felder, and company immediately announce their intent on the defiant album-opening hit “Already Gone” and never look back, crafting a gem of a record that from start to finish is arguably their most consistent and balanced effort.
