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Lee Morgan – Taru – Blue Note Tone Poet Series 180g Vinyl
Lee Morgan’s 1968 album Taru—which wouldn’t be first released until 1980 as part of the LT Series—found the trumpeter at a crossroads exploring a variety of styles. The band on this outstanding date is notable for several reasons including the elevating presence of guitarist George Benson who delivers inspired solos throughout.
The session also marked Morgan’s first recorded collaboration with tenor saxophonist Bennie Maupin who would play an integral role on future Morgan albums including Caramba! and Live at the Lighthouse. Rounding out the sextet were pianist John Hicks, bassist Reggie Workman, and the ever-inspiriting drummer Billy Higgins.
The six-song set covered a range of stylistic ground including modal jazz (“Avotcja One”), hard-charging post-bop (“Get Yourself Together”), beautiful balladry (“Haeschen” and “Taru, What’s Wrong With You?”), gospel-tinged numbers (“Dee Lawd”), and funky boogaloos (“Durem”).
Bobby Hutcherson – Medina – Blue Note Tone Poet Series 180g Vinyl
Stan Getz – Sweet Rain – (Verve Records – Acoustic Sounds Series ) 180g 1LP Gatefold Sleeve
Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
Rediscover the smooth, lyrical sound of Stan Getz with Sweet Rain, beautifully remastered on this Acoustic Sounds Vinyl LP.
Originally released in 1967, this iconic album showcases Getz at his finest, delivering soulful, expressive performances alongside a stellar lineup including Chick Corea on piano, Ron Carter on bass, and Grady Tate on drums.
The Acoustic Sounds edition brings out every subtle nuance of the recording, offering a rich, warm sound that truly captures the essence of Getz’s tenor saxophone.
From the swinging rhythms of “Litha” to the hauntingly beautiful title track, Sweet Rain is a must-have for jazz lovers and vinyl enthusiasts alike. This high-quality pressing ensures an immersive listening experience, bringing the magic of Getz’s timeless music to your turntable.
The Cry! Prince Lasha Quintet – Contemporary Records (Acoustic Sounds Series) 180g Vinyl
Contemporary Records Acoustic Sounds Series continues in 2024! Twelve standout albums from the Contemporary Records catalog reissued on 180-gram vinyl Titles featuring Art Pepper, Sonny Rollins, Helen Humes, Ben Webster and many more! Mastered AAA by Bernie Grundman from the original analog tapes 180-gram LPs pressed at Quality Record Pressings! Stoughton Printing gatefold old-style tip-on jackets Series supervised by Chad Kassem CEO of Acoustic Sounds
Continuing Craft Recordings’ celebration of seminal jazz artists from Contemporary Records
Sonny Rollins – East Broadway Run Down – Impulse (Acoustic Sounds Series) 180g Vinyl
Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets.
The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
Ben Webster – At the Renaissance – Concord Records 180g Vinyl
Recorded live at The Renaissance in Hollywood, CA on Oct 14 1960, Ben Webster “At the Renaissance” was released on Contemporary Records.
Featuring with Saxophonist Webster are Jim Hall (guitar), Jimmy Rowles (piano), Red Mitchell (bass), and Frank Butler (drums).
This new edition, released as part of the Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a tip-on jacket.
Bobby Hutcherson – Dialogue – Blue Note Tone Poet Series 180g Vinyl
1965’s Dialogue was the debut by vibraphonist Bobby Hutcherson who had already proven himself a versatile sideman on albums from Idle Moments to Out To Lunch.
Dialogue showcased his more adventurous leanings with a sextet featuring Freddie Hubbard, Sam Rivers, Andrew Hill, Richard Davis & Joe Chambers.
This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.
Chet Baker – Baker’s Holiday – (Verve Records – Acoustic Sounds Series ) 180g 1LP Gatefold Sleeve
Recorded in 1965 and showcasing a number of songs he’d never recorded before, Baker’s Holiday is Chet’s tribute to Billie Holiday and features his instantly-identifiable trumpet along with four trademark vocals.
Backed by a full sax section and a four-piece rhythm section that includes pianist Hank Jones, this classic album highlights colourful Jimmy Mundy arrangements.
Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
Clifford Jordan – Cliff Jordan – Blue Note Tone Poet Series 180g Vinyl
Under-recognized tenorman Clifford Jordan blew in from Chicago with a trio of excellent Blue Note sessions in 1957 including Cliff Jordan featuring a septet with Lee Morgan on trumpet, Curtis Fuller on trombone, John Jenkins on alto, Ray Bryant on piano, Paul Chambers on bass & Art Taylor on drums.
This mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.
Mel Torme – Torme – Verve (Acoustic Sounds Series) 180 Gram Vinyl Record
Tormé is an uptempo gem that Mel Torme swings to perfection. Nicknamed "The Velvet Fog," Torme was a noted singer, composer, arranger, drummer and actor. This self-titled 1958 studio album was his first record for Verve.
Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
Nina Simone – In Concert (Philips Acoustic Sounds) 180g Vinyl LP
"Mississippi Goddam" staked out Nina Simone's support of the Civil Rights movement when this album debuted in 1964, helping make it probably the most personal album that Simone issued during her stay on Philips during the decade.
Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
Bobby Jaspar – Modern Jazz au Club St Germain – Barclay Records – 1956 180G Vinyl LP
After hitting Paris in 1950, saxophonist Bobby Jaspar enthralled jazz fans and jazzmen alike with his smooth, elegant playing, with the lyricism of his tranquil phrases heavily influenced by Stan Getz in particular. So when Jaspar began regularly performing with a small ensemble at the Club St-Germain five years later, he adopted the same instrumentation as that of his idol’s illustrious quintet, with Sacha Distel on guitar and René Urtreger on piano in the roles of Jimmy Raney and Al Haig, respectively.
Contrary to what its title might suggest, ‘Modern Jazz au Club St-Germain’ was actually recorded in the studio. It features compositions by Milt Jackson, Dizzy Gillespie and Miles Davis along with a handful of standards, in which the angular aridity of bebop gives way to the generous and yet sensitive idiom of cool jazz.
