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Miles Davis – E.S.P. 180g 45RPM 2LP Mofi Vinyl
Landmark 1965 Recording Splits Divide Between Accessible Hard-Bop and Cutting-Edge Improvisation: A Paragon of Cohesion, Chemistry, Interplay
A landmark recording and masterful symphony of performance, composition, and execution, Miles Davis' E.S.P. established the template jazz would follow for the following decade. The 1965 record splits the gap between accessible hard-bop and the cutting-edge approach Davis increasingly pursued into the 1970s. Adventurous, sophisticated, and yet altogether cohesive, E.S.P. stands out not only due to its elastic compositions but via its chemistry, interplay, and feeling attained by the instrumentalists. The first album Davis' classic second quintet made together, it's also very arguably the group's best. Never before has the effort been experienced in such transformational sound.
The Doors – The Soft Parade 180g 45RPM 2 LP Analogue Productions Vinyl
A 2014 Stereophile 'Record To Die For'
Mastered by Doug Sax and overseen by Bruce Botnick, The Doors producer/engineer.
Two 45 rpm LPs pressed on 180-gram vinyl at Quality Record Pressings
Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings!
About Soft Parade, Rolling Stone described two songs written by guitarist Robby Krieger, “Touch Me” and “Follow Me Down” as horn-string showpieces for the resonant baritone of Jim Morrison.
Elvis Presley – Elvis is Back 45RPM, 200g 2 LP Analogue Productions Vinyl
Elvis Presley Elvis Is Back! 200-gram 45 RPM double LP set
Mastered from the original analog tapes by George Marino at Sterling Sound
1960 studio album is Presley's best full-length effort
"...His voice was in superb form, he was backed by the most sympathetic line-up in his career - including Scotty Moore, the Jordanaires, Hank Garland and DJ Fontana - and the repertoire included 'Fever,' 'The Girl Of My Best Friend,' 'Reconsider Baby,' 'Such A Night.'" Sound Quality = 95% out of 100% - Ken Kessler, Hi-Fi News, December 2010
Run DMC – Raising Hell – Mobile Fidelity 180g SuperVinyl
Joe Walsh – The Smoker You Drink, The Player You Get – Analogue Productions 200g Vinyl
Natalie Merchant – Tigerlily – 2 x 45RPM 180g Mobile Fidelity Vinyl
True to its title, Tigerlily balance fierceness and delicacy, creating a rare span of emotional territory. Listening to Tigerlily, a distinct songwriter's voice emerges, one which possesses strength and vulnerability. The lyrics are personal, the arrangements stark and sparse. Tigerlily was engineered by John Holbrook, who has worked with The Band, Peter Tosh, and the Isley Brothers.
Otis Redding – Otis Blue – Analogue Productions 45RPM 180g Vinyl
Rahsaan Roland Kirk: Blacknuss
From its opening bars, with Bill Salter's bass and Rahsaan's flute passionately playing Bill Withers' "Ain't No Sunshine", you know this isn't an ordinary Kirk album (were any of them?). As the string section, electric piano, percussion, and Cornel Dupree's guitar slip in the back door, one can feel the deep soul groove Kirk is bringing to the jazz fore here.
The Spinners – Spinners 180g Mofi Vinyl
Sweeping Strings, Funk Rhythms, Brassy Rejoinders, Immaculate Harmonies, and Satiny Lead Singing Fill Thom Bell’s Melodic Arrangements: Few Albums Sound Creamier Than This Watershed Effort
The timeless music and expert arrangements are about the only things smoother than the powder-blue suits sported by the Spinners on the cover of their resplendent self-titled 1972 record. The band’s first album for Atlantic after departing Motown, Spinners ranks as an all-time soul classic – a filler-free set boasting immaculate harmonies, sweet melodies, and impeccably matched vocals. Thom Bell’s flawless production puts it all over the top. Yielding an ideal balance of lushness and grit, the collaboration between the Detroit-based group and studio veteran yielded a record that birthed the celebrated Philadelphia Sound. Now, you can finally experience it in audiophile-grade sonics.
Hall and Oates – H2O 180g Mofi Vinyl
1982 Multi-Platinum Smash Both Creatively Ambitious and Commercially Successful
Hall and Oates’ biggest-selling album also stands as their most ambitious. Recorded in 1982, when the duo practically owned the pop market, H20 strikes a keen equilibrium between polish, melody, muscle, and craft. The vocalists expand the emotional reach of their songwriting, and shepherd meticulous production and measured arrangements toward thrilling intersections of blue-eyed soul, edge new wave, soft rock, and dance. Staked to two giant singles, the double-platinum affair lingers as the group’s last masterwork.
