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Judee Sill “Heart Food” – Intervention Records 180g Vinyl
Judee Sill “Judee Sill” – Intervention Records 180g Vinyl
Julie London – Latin In A Satin Mood – Analogue Productions 200g Vinyl
Analogue Productions has brought back Julie London sings Latin In A Satin Mood in dramatic, deserving fashion. Remastered by Kevin Gray at Cohearent Audio, and plated and pressed on 200-gram vinyl at Quality Record Pressings, the crispness and vibrancy of this recording is spectacular.
Exotic and Latin albums were big deals in the 1950s and early ’60s, and singers as diverse as Dean Martin, Lena Horne, and Peggy Lee were recording with castanets and bongo drums. Like Peggy Lee, London combines a restrained vocal approach with jazz phrasing and a cool attitude with icy sex appeal on this album of relaxing Latin standards. Julie does look beautiful on the cover, and the backup male “mariachi-esque” serenade ads to the romantic ambiance.
K.D. Lang – Ingenue (Limited Numbered 180g One-Step Edition) Sire Records Vinyl LP
NOW IN STOCK
This is the definitive-sounding audiophile version of k.d. lang’s second solo album Ingénue. Upon release the album charted at No. 18 in the US, No. 13 in Canada, No. 3 in the U.K. and Australia and No. 1 in New Zealand. Nominated for six Grammy Awards with the breakout single, “Constant Craving” winning a Grammy Award for Best Female Pop Vocal Performance. “Miss Chatelaine” and “The Mind Of Love” were follow-up singles.
Keb’ Mo’ – Keb’ Mo’ Pure Pleasure Records
Keb’ Mo’s self-titled debut is an edgy, ambitious collection of gritty country blues. Keb’ Mo’ pushes into new directions, trying to incorporate some of the sensibilites of the slacker revolution without losing touch of the tradition that makes the blues the breathing, vital art form it is. His attempts aren’t always successful, but his gutsy guitar playing and impassioned vocals, as well as his surprisingly accomplished songwriting, make Keb’ Mo’ a debut to cherish.
Kenny Dorham – Matador Impex Records Hybrid Stereo SACD
Kenny Dorham – Matador Numbered Ltd Edition Impex -180g Vinyl LP
• Numbered, Limited Edition BACK IN STOCK
- • Audiophile 180g Vinyl LP • 33rpm • Available on all-analog LP for the first time in nearly 50 years • First time ever on HQ-180 • Mastered by Chris Bellman from the original analog master tapes • Original single disc jacket with ribbed paper tip-on over heavy-board stock • Pressed at RTI
Khachaturian Gayne Ballet Suite 2LP 45rpm 180g Vinyl LSO Fistoulari Everest Classic Records
Rarely has a record label been so influential and so associated with trend-setting recording techniques for its time as Everest Records. Hollywood sound man Harry Belock and audio dealer-engineer Bert Whyte started the label as the stereo era dawned. They acquired 3-channel 35mm magnetic film recording equipment in 1959, and through the early '60s recorded in this fashion, as did Mercury Records.
Click here to listen to samples on YouTube.com ♫
- Limited Edition
- 2LP 45rpm 200 Gram Vinyl
- Cut From Original 35mm Magnetic Film Tapes
- Mastered Using 'All Tube' Cutting System
- Mastered by Bernie Grundman
- Classic Records 200-gram Super Vinyl Flat Profile
- Pressed at Quality Record Pressings, QRP USA
- Stoughton Printing tip-on old style covers
- 2 LP's Packaged in protective clear sleeve
Kirsten Edkins – Shapes & Sound – Cohearent Sound 180g Vinyl
BACK IN STOCK!!
Shapes and Sound by jazz composer/saxophonist Kirsten Edkins Shapes and Sound from jazz saxophonist Kirsten Edkins is the debut LP release from Cohearent Records — the new record label companion to famed mastering engineer Kevin Gray’s latest enterprise, an all-valve (vacuum tube) recording studio (Cohearent Recording) adjoining his home-based mastering facility in California. “It’s the ‘essence of an era’ we are trying to recapture with today’s musicians, not the sound of specific spaces, engineers or recordings,” Gray told music reviewer Michael Fremer.
Lee Morgan – Infinity LP (Blue Note Tone Poet Series) – Blue Note Vinyl
Just two months after recording his exceptional sextet date Cornbread, the prolific trumpeter Lee Morgan was back in Van Gelder Studio in November 1965 with a slightly slimmed down—but no less robust—quintet line-up to record his next session Infinity, which wouldn’t be first released until 1981. Alto saxophonist Jackie McLean and drummer Billy Higgins—both of whom were featured on Cornbread—were at Morgan’s side once again along with pianist Larry Willisand bassist Reggie Workman for a five-song set that ventured to the far reaches of the hard bop tradition and beyond. Four compelling Morgan originals and McLean’s engaging ballad “Portrait of Doll” cover a wide expanse of musical terrain including the probing title track, the laid-back 6/8 groove of “Miss Nettie B,” the intricate interlaced lines of “Growing Pains,” and the hard-charging closer “Zip Code.”
Lee Morgan – Taru – Blue Note Tone Poet Series 180g Vinyl
Lee Morgan’s 1968 album Taru—which wouldn’t be first released until 1980 as part of the LT Series—found the trumpeter at a crossroads exploring a variety of styles. The band on this outstanding date is notable for several reasons including the elevating presence of guitarist George Benson who delivers inspired solos throughout.
The session also marked Morgan’s first recorded collaboration with tenor saxophonist Bennie Maupin who would play an integral role on future Morgan albums including Caramba! and Live at the Lighthouse. Rounding out the sextet were pianist John Hicks, bassist Reggie Workman, and the ever-inspiriting drummer Billy Higgins.
The six-song set covered a range of stylistic ground including modal jazz (“Avotcja One”), hard-charging post-bop (“Get Yourself Together”), beautiful balladry (“Haeschen” and “Taru, What’s Wrong With You?”), gospel-tinged numbers (“Dee Lawd”), and funky boogaloos (“Durem”).
Lee Morgan – The Sidewinder (Blue Note Classic Series) – Blue Note Vinyl
Lee Morgan’s magnum opus The Sidewinder—recorded in 1963 and release in 1964—was both a comeback and a coronation. The prodigious trumpeter had debuted on Blue Note in 1956 at the age of 18, but personal problems in the early-60s forced him off the scene temporarily. His rebound recording turned out to be The Sidewinder, an assured and energetic set of 5 indelible Morgan originals featuring tenor saxophonist Joe Henderson, pianist Barry Harris, bassist Bob Cranshaw, and drummer Billy Higgins. The album became his biggest commercial success fueled by the irrepressible title track.
