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James Taylor – JT – Mofi 180g Vinyl
Sourced From the Original Analog Master Tapes and Pressed at Rti for Exceptional Sound 1/4″ / 15 IPS / Dolby A analog master to DSD 64 to analog console to lathe
James Taylor’s best-selling record since 1970’s hallmark Sweet Baby James, the triple-platinum JT takes its permanent place as one of the singer’s most enduring albums — an affair that gorges on country, blues, and rock styles as well as incisive songwriting. As the preeminent singer-songwriter’s Columbia debut, it catapulted Taylor back into the limelight and reestablished his place as the era’s leading-edge folk-rock troubadour.
Ella Fitzgerald and Louis Armstrong – Ella & Louis – Analogue Productions 180g Stereo Vinyl
It is undeniable that Billie Holiday’s singing changed in her later years. Her voice darkened and shifted to a lower range. Her economy of means distilled her sound to its expressive essence — a kind of heightened speech. The classic LP Songs For Distingue Lovers has also deepened and become burnished with time. Maybe it’s that still-arresting word, “distingue”; maybe it’s that iconic, tinted image of Lady Day on the cover. But now that legendary LP, with the singer’s best studio work of the Fifties, is available through the Acoustic Sounds Series.
Fritz Reiner – Spain – Analogue Productions 180g Stereo Vinyl
Rimsky Korsakov – Scheherazade Chasing The Dragon Audiophile Vinyl
Jack Wilson – Easterly Winds – Blue Note (Tone Poet) 180g Vinyl
The six-song set presented four Wilson originals including the groovy opener “Do It” and the sublime ballad “Nirvanna” in addition to a tender rendition of the Johnny Mandel tune “A Time for Love” and “Frank’s Tune” by Frank Strozier, which was recently reimagined by Makaya McCraven on his 2021 Blue Note remix project Deciphering the Message.
Jackie McLean – Demon’s Dance – Blue Note (Tone Poet) 180g Vinyl
Jackie McLean’s music weaved in and out of the avant-garde throughout the 1960s with the brilliant 1963 inside-out dates One Step Beyond and Destination… Out! eventually leading to full-throated free jazz of the 1967 dates New and Old Gospel (featuring Ornette Coleman on trumpet) and ‘Bout Soul. Demon’s Dance, which was recorded in December 1967, found the alto saxophonist maintaining a decidedly post-bop edge with a spirited quintet comprised of trumpeter Woody Shaw, pianist LaMont Johnson, bassist Scott Holt, and drummer Jack DeJohnette. The six-song set presented a pair of tunes each by McLean, Shaw, and composer Cal Massey with highlights including McLean’s churning title track, Shaw’s tuneful bossa “Sweet Love of Mine,” and Massey’s brightly swinging “Message from Trane” in tribute to the great John Coltrane who had passed away early that year. But the album’s most striking feature may be the unforgettable cover artwork by Mati Klarwein whose work also graced the cover of Miles Davis’ Bitches Brew.
Jascha Heifetz – The Lark – Impex Records 180 Gram 33 RPM Monaural Vinyl
IN STOCK!
It’s no surprise that Jascha Heifetz held an affinity for the vast, tempestuous ocean and its endlessly opposing forces; that same intensity and sensitivity—the furious and the serene, with its infinite subtleties and nuances—are hallmarks of his sound. That sound—rich in expressiveness, sonority and texture—branded Heifetz the most illustrious violinist in the world.*
Everclear – So Much For The Afterglow – Intervention Records 180g Vinyl
Everclear – Sparkle and Fade – Intervention Records 180g Vinyl
Diana Krall – When I Look Into Your Eyes (Acoustic Sounds) 180g 2LP Gatefold Sleeve
Krall’s fifth studio album made a mark as the first jazz album in 25 years to garner a Grammy nomination for Album of the Year.
Tommy LiPuma elevates Krall’s sound along the lines of Nat King Cole with an orchestral stamp on eight out of 12 tracks.
It doesn’t take strings, though, to showcase Diana Krall as a hopeless romantic. She does that well enough on her own.
Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
Santana – Blues for Salvador – 180g 33RPM Mofi Vinyl LP
IN STOCK NOW
BLUES FOR SALVADOR EARNED CARLOS SANTANA HIS FIRST GRAMMY AWARD: 1987 “SOLO” ALBUM PURSUES JAZZ, FUSION, AND ROCK DIRECTIONS Sourced from the Original Master Tapes and Strictly Limited to 3,000 Numbered Copies: Mobile Fidelity’s 180g 33RPM Vinyl LP Presents the Largely Instrumental Record in Audiophile Quality for First Time Domestically 1/2” / 30 IPS / Dolby SR analog master to DSD 256 to analog console to lathe Few artists were more prolific than Carlos Santana during the 1970s and 80s. By the time he released Blues for Salvador, the fourth album billed to the Rock and Roll Hall of Famer as a lone solo artist, he kept a pace that saw him release LPs at a more than one record-per-year clip ever since the launch of his group’s 1969 debut. No wonder this 1987 effort would be Santana’s last work until 1990; he deserved the rest. And with the largely instrumental Blues for Salvador, he entered into the break on a high note — one that earned him his first Grammy Award.
