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Music
Hall and Oates – H2O 180g Mofi Vinyl
1982 Multi-Platinum Smash Both Creatively Ambitious and Commercially Successful
Hall and Oates’ biggest-selling album also stands as their most ambitious. Recorded in 1982, when the duo practically owned the pop market, H20 strikes a keen equilibrium between polish, melody, muscle, and craft. The vocalists expand the emotional reach of their songwriting, and shepherd meticulous production and measured arrangements toward thrilling intersections of blue-eyed soul, edge new wave, soft rock, and dance. Staked to two giant singles, the double-platinum affair lingers as the group’s last masterwork.
Bill Evans and Jim Hall – Undercurrent – Mofi Vinyl
Special Offer While Stocks Last
Diverse Set Encompasses Ballads, Waltzes, Hard-Swinging Bop
Bill Evans catapulted to the top of the jazz world in June 1961 after reeling off three straight masterpiece sessions at New York’s Village Vanguard with his trio. Yet the emotional highs came to a screeching halt shortly thereafter when bassist Scott LaFaro died in a car accident. Devastated, Evans refrained from playing for nearly a year. If not for an inspirational collaboration of tremendous creative outpouring, one wonders what fate may have befallen Evans. Undercurrent, the outcome of two studio sessions with guitarist Jim Hall, is that project.
Miles Davis – Filles de Kilimanjaro 180g 45RPM 2LP Mofi Vinyl
Landmark 1968 Effort Recognized as Davis’ Prelude Into Full-On Fusion: Exotic Suite-Like Album Beautiful, Intense, Adventurous
Miles Davis’ move into full-on fusion starts here. Abandoning his bebop roots and chasing electric dreams, rock-based rhythms, and ostinato pulses, the icon gives life to new music forms on Filles de Kilimanjaro, a titanic release prized for its historical significance and lasting beauty. Grounded and focused, the five compositions unfold like a unified suite. Such peak lyricism, flourishes, and phrases are experienced in the highest-possible fidelity on Mobile Fidelity’s 45RPM 2LP set.
The Cars – Shake It Up 180g Mofi Vinyl
Numbered Edition 180-gram LP Sourced from Original Master Tapes
A return to form after the departure that was 1980’s muddled Panorama, the Cars’ Shake It Up bursts forth with a rich assembly of synthesizers, drum machines, electronic blips, and catchy melodies that make it an early 80s pop staple. Known the world over, the famous title track proves the band’s arrangement skills were in perfect shape and set the stage for a record overflowing with memorable hooks and complementary rock riffs.
Shakey Jake – Mouth Harp Blues – Analogue Productions 45RPM 180g 2 LP Vinyl
The late James Harris earned the moniker “Shakey Jake” due to his proficiency at dice, but he was equally adept at the blues game. The Arkansas-born, Chicago-based singer and harmonica blower traveled to Rudy Van Gelder’s New Jersey studio in November 1960 to record Mouth Harp Blues.. Jake brought along Jimmie Lee Robinson, the brilliant, fast-fingered guitarist best known for his work with Little Walter’s band. Also making tasty contributions to the session was Robert Banks, the New York R&B and gospel studio organist who, in this case, ably appointed himself as a two-fisted blues piano stylist. Among the 10 selections is the distinctively loping “Easy Baby,” a tune also associated with Jake’s nephew Magic Sam.
Janos Starker Bach: Suites For Unaccompanied Cello Complete 45RPM 180g 6LP Box Set
JS Bach's Suites for Unaccompanied Cello Complete performed by Janos Starker Six 180-gram QRP-pressed LPs! Cut directly from the original 3-track, first-generation master tapes at 45 RPM by Ryan K. Smith at Sterling Sound using an AMPEX ATR-100 tape machine customized with 3-track flux magnetic heads!
Miles Davis – E.S.P. 180g 45RPM 2LP Mofi Vinyl
Landmark 1965 Recording Splits Divide Between Accessible Hard-Bop and Cutting-Edge Improvisation: A Paragon of Cohesion, Chemistry, Interplay
A landmark recording and masterful symphony of performance, composition, and execution, Miles Davis' E.S.P. established the template jazz would follow for the following decade. The 1965 record splits the gap between accessible hard-bop and the cutting-edge approach Davis increasingly pursued into the 1970s. Adventurous, sophisticated, and yet altogether cohesive, E.S.P. stands out not only due to its elastic compositions but via its chemistry, interplay, and feeling attained by the instrumentalists. The first album Davis' classic second quintet made together, it's also very arguably the group's best. Never before has the effort been experienced in such transformational sound.
Bob Dylan – Pat Garrett & Billy the Kid Hybrid SACD
Mastered from the original master tapes on Mobile Fidelity's world-renowned mastering system, and strictly limited to 2,500 numbered copies, this hybrid SACD features reference-level instrumental separation and full-bodied tones that allow the songs to blossom amidst soundstages whose dimensions are limited only by the breadth of your stereo system. The flinty, raw acoustic edge of Dylan and Bruce Langhorne's guitars come into immediate relief. Booker T. Jones' relaxed albeit taut bass, Jolly Roger's down-home banjo, Russ Kunkel's textured bongos, and the crucial string accompaniments similarly flourish.
CHASING THE DRAGON – Quentin Collins All Star Quintet – A Day in the Life – 180g Vinyl
Part Of The Direct Cut Recording Series On 180g Vinyl LP!
“Quentin Collins is a leading figure on the British jazz scene, comfortable with many styles but most often adopting the post-bop language of players like Lee Morgan and Freddie Hubbard. Collins performs with a wide range of musicians and appears regularly at London’s most prestigious jazz venues, including Ronnie Scott’s and Club 606. The artist plays carbon fiber daCarbo instruments, said to optimize vibration so less energy is wasted in the air column within the horn. “ Absolute Sound
CHASING THE DRAGON – Quentin Collins All Star Quintet – A Day in the Life – CD
Part Of The Live Recording Series On CD
“Quentin Collins is a leading figure on the British jazz scene, comfortable with many styles but most often adopting the post-bop language of players like Lee Morgan and Freddie Hubbard. Collins performs with a wide range of musicians and appears regularly at London’s most prestigious jazz venues, including Ronnie Scott’s and Club 606. The artist plays carbon fiber daCarbo instruments, said to optimize vibration so less energy is wasted in the air column within the horn. “ Absolute Sound
