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Bob Marley and The Wailers – Natty Dread – Analogue Productions SACD
Available to Pre-Order
Bob Marley and The Wailers — Natty Dread Hybrid Stereo SACD release from Analogue Productions Mastered Direct To DSD by Ryan K. Smith at Sterling Sound from the original master tape Plays in all CD and SACD players Natty Dread, the seventh album by Bob Marley and The Wailers, released in 1974, was Marley's first recorded without Peter Tosh and Bunny Wailer as the Wailers. Natty Dread was most popularly received in the U.K., where it peaked at No. 43 and sold in excess of 100,000 copies, making it a gold album. Over time it gained popularity in other parts of the world, and in 2003 it was ranked No. 181 on Rolling Stone magazine's list of the 500 greatest albums of all time.
Bob Marley and The Wailers – Kaya – Analogue Productions SACD
Available to Pre-Order
Bob Marley & The Wailers — Kaya Hybrid Multichannel SACD Mastered by Ryan K. Smith at Sterling Sound from the original master tape Plays in all CD and SACD players Kaya, released in 1978, was the tenth studio album by the Jamaican band Bob Marley & The Wailers, comprising tracks recorded alongside those released on the Exodus album. On Kaya, the band continued what has become an unspoken tradition in the evolution of Bob Marley & The Wailers discography — blending western sounds and motifs with the icons and traditions from the very core of Jamaican society.
Cannonball Adderley – Somethin’ Else – Mofi SACD
Sourced From The Original Analog Master Tapes: Hybrid Sacd Presents 1958 Landmark In Definitive Sound
Julian Cannonball Adderley's only Blue Note album, Somethin' Else, would likely forever be famous in music lore if just for the presence of Miles Davis. The iconic composer/trumpeter steps into the role of sideman on the 1958 set, one of just a handful of times he'd make such a move after the calendar passed the mid-1950s. Yet evaluating Somethin' Else strictly on Davis' involvement misses the big picture. Plain and simple, Adderley's jubilant work remains a jazz landmark due to the chemistry of its Hall of Fame personnel, enthusiasm of its participants, and sophistication of its arrangements – not to mention the reference-grade production and inclusion of the definitive renditions of two jazz standards.
Run DMC – King of Rock – Mofi SACD
IN AUDIOPHILE QUALITY FOR THE FIRST TIME: SOURCED FROM THE ORIGINAL MASTER TAPES
1/2″ / 15 IPS analog master to DSD 256 to analog console to lathe
Run-D.M.C. leaves no doubt about its intent on King of Rock. The New York trio’s hard-hitting sophomore album begins with a statement of purpose (“Rock the House”) that serves as a stereophonic primer for the title track, a hybrid warning-anthem-theme song that swarms with justified boasts, heavy metal riffs, booming beats, cowbell accents, and dance-worthy grooves. The back-to-back tunes set the tone for a 1985 record that largely established the blueprint for the hip-hop that would follow for the next two decades — and which helped make rap a mainstream currency via the previously off-limits channels of radio, TV, and the national stage.
Bruce Springsteen – Greetings from Asbury Park, N.J. Mofi SACD
SOURCED FROM THE ORIGINAL ANALOG MASTER TAPES: HYBRID SACD PLAYS WITH AUDIOPHILE SOUND
Teeming with identifiable characters, youthful romanticism, vivid narratives, and sophisticated arrangements, Greetings from Asbury Park, N.J. is a personal postcard from the heart, soul, and mind of a rock 'n' roll lifer bent on discovering his world and what lays beyond it. The 1973 album establishes many of the signature themes and sounds Bruce Springsteen would embrace throughout his unparalleled career. No wonder a majority of the songs – "Blinded by the Light," "Lost in the Flood," "Spirit in the Night" included – remain staples of the New Jersey native's fabled concerts.
Alan Parsons Project – Eye in the Sky – MOFI SACD
Mastered From The Original Master Tapes: Sacd Presents The Music’s Hallmark Smoothness, Lushness, And Detail In Reference Sound
The opening track to the Alan Parsons Project’s Eye in the Sky remains the most recognized instrumental in sports – fanfare inseparably tied with introducing NBA legend Michael Jordan and his six-time world-champion Chicago Bulls mates before games, and still used by many teams as an energy-raising prelude. Indeed, the subdued grandiosity, cosmic bluster, and lights-out wonder of “Sirius” also sets the table for the band’s smash 1982 album, whose hallmark smoothness, lushness, and balance reach epic heights on Mobile Fidelity’s reissue.
Bill Withers – Greatest Hits Mofi Hybrid Stereo SACD
Elvis Presley – Blue Hawaii – MoFi SACD
All MoFI SACD's will also play in standard CD players.
The old adage about Elvis Presley is that his soundtrack work never held a candle next to his studio albums. Though true for a majority of his film-related outings, the traditional notion is forever disproved by his Blue Hawaii set. Originally released in 1961 in support of the film in which he starred, the triple-platinum LP spent nearly five months at the top of the Billboard album charts; outsold his two prior studio efforts; and ultimately, remains the second-best-selling soundtrack of the musical-dominant 1960s. And now, it has received sonic treatment befitting rock royalty.
Van Halen – 1984 – MoFi SACD
Van Halen – Diver Down – MoFi SACD
