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Kebā Moā ā Kebā Moā Pure Pleasure Records
Kebā Moās self-titled debut is an edgy, ambitious collection of gritty country blues. Kebā Moā pushes into new directions, trying to incorporate some of the sensibilites of the slacker revolution without losing touch of the tradition that makes the blues the breathing, vital art form it is. His attempts arenāt always successful, but his gutsy guitar playing and impassioned vocals, as well as his surprisingly accomplished songwriting, make Kebā Moā a debut to cherish.
Kenny Dorham ā Matador Impex Records Hybrid Stereo SACD
ā¢ Super Audio CD
ā¢ SACD Stereo SACD Layer
ā¢ This Hybrid SACD contains a āRed Bookā CD layer, playable on most conventional CD players!
ā¢ First time ever on SACD
ā¢ Ribbed paper stock
ā¢ Full resolution DSD audio mastered by Chris Bellman from the original analog master tapes
ā¢ Japanese pressing
Kenny Dorham ā Matador Numbered Ltd Edition Impex -180g Vinyl LP
ā¢ Numbered, Limited Edition BACK IN STOCK
- ā¢ Audiophile 180g Vinyl LP ā¢ 33rpm ā¢ Available on all-analog LP for the first time in nearly 50 years ā¢ First time ever on HQ-180 ā¢ Mastered by Chris Bellman from the original analog master tapes ā¢ Original single disc jacket with ribbed paper tip-on over heavy-board stock ā¢ Pressed at RTI
Khachaturian Gayne Ballet Suite 2LP 45rpm 180g Vinyl LSO Fistoulari Everest Classic Records
Rarely has a record label been so influential and so associated with trend-setting recording techniques for its time as Everest Records. Hollywood sound man Harry Belock and audio dealer-engineer Bert Whyte started the label as the stereo era dawned. They acquired 3-channel 35mm magnetic film recording equipment in 1959, and through the early '60s recorded in this fashion, as did Mercury Records.
Click here to listen to samples on YouTube.com ā«
- Limited Edition
- 2LP 45rpm 200 Gram Vinyl
- Cut From Original 35mm Magnetic Film Tapes
- Mastered Using 'All Tube' Cutting System
- Mastered by Bernie Grundman
- Classic Records 200-gram Super Vinyl Flat Profile
- Pressed at Quality Record Pressings, QRP USA
- Stoughton Printing tip-on old style covers
- 2 LP's Packaged in protective clear sleeve
Kirsten Edkins ā Shapes & Sound ā Cohearent Sound 180g Vinyl
BACK IN STOCK!!
Shapes and Sound by jazz composer/saxophonist Kirsten Edkins Shapes and Sound from jazz saxophonist Kirsten Edkins is the debut LP release from Cohearent Records ā the new record label companion to famed mastering engineer Kevin Grayās latest enterprise, an all-valve (vacuum tube) recording studio (Cohearent Recording) adjoining his home-based mastering facility in California. āItās the āessence of an eraā we are trying to recapture with todayās musicians, not the sound of specific spaces, engineers or recordings,ā Gray told music reviewer Michael Fremer. Ā
Larry Coryell, Badi Assad, John Abercrombie – Three Guitars – Chesky Records – SACD
Lee Morgan ā Infinity LP (Blue Note Tone Poet Series) ā Blue Note Vinyl
Just two months after recording his exceptional sextet dateĀ Cornbread, the prolific trumpeter Lee Morgan was back in Van Gelder Studio in November 1965 with a slightly slimmed downābut no less robustāquintet line-up to record his next sessionĀ Infinity, which wouldnāt be first released until 1981. Alto saxophonist Jackie McLean and drummer Billy Higginsāboth of whom were featured onĀ Cornbreadāwere at Morganās side once again along with pianist Larry Willisand bassist Reggie Workman for a five-song set that ventured to the far reaches of the hard bop tradition and beyond. Four compelling Morgan originals and McLeanās engaging ballad āPortrait of Dollā cover a wide expanse of musical terrain including the probing title track, the laid-back 6/8 groove of āMiss Nettie B,ā the intricate interlaced lines of āGrowing Pains,ā and the hard-charging closer āZip Code.ā
Lee Morgan ā Taru ā Blue Note Tone Poet Series 180g Vinyl
Lee Morganās 1968 album Taruāwhich wouldnāt be first released until 1980 as part of the LT Seriesāfound the trumpeter at a crossroads exploring a variety of styles. The band on this outstanding date is notable for several reasons including the elevating presence of guitarist George Benson who delivers inspired solos throughout.
The session also marked Morganās first recorded collaboration with tenor saxophonist Bennie Maupin who would play an integral role on future Morgan albums including Caramba! and Live at the Lighthouse. Rounding out the sextet were pianist John Hicks, bassist Reggie Workman, and the ever-inspiriting drummer Billy Higgins.
The six-song set covered a range of stylistic ground including modal jazz (āAvotcja Oneā), hard-charging post-bop (āGet Yourself Togetherā), beautiful balladry (āHaeschenā and āTaru, Whatās Wrong With You?ā), gospel-tinged numbers (āDee Lawdā), and funky boogaloos (āDuremā).
Lee Morgan ā The Sidewinder (Blue Note Classic Series) ā Blue Note Vinyl
Lee Morganās magnum opusĀ The Sidewinderārecorded in 1963 and release in 1964āwas both a comeback and a coronation. The prodigious trumpeter had debuted on Blue Note in 1956 at the age of 18, but personal problems in the early-60s forced him off the scene temporarily. His rebound recording turned out to beĀ The Sidewinder, an assured and energetic set of 5 indelible Morgan originals featuring tenor saxophonist Joe Henderson, pianist Barry Harris, bassist Bob Cranshaw, and drummer Billy Higgins. The album became his biggest commercial success fueled by the irrepressible title track.
Legrand Jazz MICHEL LEGRAND AND HIS ORCHESTRA 180G VINYL
100% Analog 180g 33rpm Vinyl
Mastered by Chris Bellman at Bernie Grundman Mastering
Pressed at RTI
The greatest assembly of musical talent ever on one album! Features Performances by John Coltrane, Miles Davis, Bill Evans, Ben Webster & 27 More Jazz Greats! Pressed at Record technology for silent surfaces and true fidelity to the analog source.
