Miles Davis – Birth Of The Blue (Black Vinyl Un Numbered Edition) Analogue Productions 180 Gram Vinyl Record
NOW IN STOCK
Analogue Productions is proud to present Birth of the Blue in an exclusive first-of-its-kind stand-alone release that reflects our reputation for meticulous production, capturing authentic sound with clarity, depth and fidelity that exceeds the audiophile standard. Miles Davis's Kind of Blue was the number-one jazz album in history. It totaled five songs. There are four more songs from that same historic group, recorded in the same time period and at the same studio. And here they are. These songs deserve to stand on their own with artwork to highlight the quality of the music and that matches the time period of the recording. This is a rare opportunity to have a smash follow-up to what many consider the greatest jazz record ever!Clifford Jordan ā Cliff Jordan ā Blue Note Tone Poet Series 180g Vinyl
Under-recognized tenorman Clifford Jordan blew in from Chicago with a trio of excellent Blue Note sessions in 1957 including Cliff Jordan featuring a septet with Lee Morgan on trumpet, Curtis Fuller on trombone, John Jenkins on alto, Ray Bryant on piano, Paul Chambers on bass & Art Taylor on drums.
This mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.
Chet Baker – Bakerās Holiday – (Verve Records ā Acoustic Sounds Series ) 180g 1LP Gatefold Sleeve
Recorded in 1965 and showcasing a number of songs heād never recorded before, Bakerās Holiday is Chetās tribute to Billie Holiday and features his instantly-identifiable trumpet along with four trademark vocals.
Backed by a full sax section and a four-piece rhythm section that includes pianist Hank Jones, this classic album highlights colourful Jimmy Mundy arrangements.
Verveās Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
Pharoah Sanders – Live – Theresa Records 180 Vinyl 2 LP Gatefold Sleeve
This album features Pharoah Sanders playing some no-nonsense tenor in a quartet with pianist John Hicks, bassist Walter Booker, and drummer Idris Muhammad. Sanders performs āItās Easy to Rememberā (in a style very reminiscent of early-ā60s John Coltrane), an original blues, and two of his compositions, including the passionate āYouāve Got to Have Freedom.ā
The musicianship is at a high level and, although Sanders does not shriek as much as one might hope (the Trane-ish influence was particularly strong during this relatively mellow period), he is in fine form. Review by Scott Yanow/AMG
Bobby Hutcherson ā Dialogue ā Blue Note Tone Poet Series 180g Vinyl
1965ās Dialogue was the debut by vibraphonist Bobby Hutcherson who had already proven himself a versatile sideman on albums from Idle Moments to Out To Lunch.
Dialogue showcased his more adventurous leanings with a sextet featuring Freddie Hubbard, Sam Rivers, Andrew Hill, Richard Davis & Joe Chambers.
This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.
Art Blakey and The New Jazzmen – Live In Paris ā65 – Sam Records 180 Vinyl LP
A never-before released Art Blakey 1965 live recordings. First official release with the full permission and cooperation of the Art Blakey Estate & INA (Institut National de lāAudiovisuel).
Art Blakey, Live in ā65 boasts an exceptional one-hour concert from Paris in 1965. This performance showcases one of the few undocumented Blakey bands, the New Jazzmen, featuring Freddie Hubbard on trumpet, Jaki Byard on piano, Reggie Workman on bass, Nathan Davis on sax, and, of course, Blakey on drums.
Bud Shank ā Barefoot Adventure ā Impex Records 180g Vinyl LP
Ben Webster ā At the Renaissance – Concord Records 180g Vinyl
Recorded live at The Renaissance in Hollywood, CA on Oct 14 1960, Ben Webster āAt the Renaissanceā was released on Contemporary Records.
Featuring with Saxophonist Webster are Jim Hall (guitar), Jimmy Rowles (piano), Red Mitchell (bass), and Frank Butler (drums).
This new edition, released as part of the Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a tip-on jacket.
Steely Dan – Gaucho – Analogue Productions SACD
In their review of Gaucho, Rolling Stone proclaims, āSteely Dan have perfected the aesthetic of the tease. Their sound is as slippery as their (lyrical) irony.ā
Gaucho ā the seventh studio album by Steely Dan released in November 1980 ā and Grammy-winner for Best Engineered Non-Classical Recording, was also nominated for Album of the Year and Best Pop Performance by a Duo or Group with Vocals.
Bob Dylan – Bob Dylan – Mofi 180g 33RPM SuperVinyl Mono LP
The Understated Debut That Launched A Peerless Career: Bob Dylan Is The Clearest Connection To The Singer-Songwriter's Folk Roots
Pressed On Mofi Supervinyl For Reference Playback: Mobile Fidelity 33Rpm Supervinyl Mono Lp Features The Direct Sound Dylan Intended
1/4" / 15 IPS analog mono master to DSD 256 to analog console to lathe
Kenny Dorham ā Matador Impex Records Hybrid Stereo SACD
⢠Super Audio CD
⢠SACD Stereo SACD Layer
⢠This Hybrid SACD contains a āRed Bookā CD layer, playable on most conventional CD players!
⢠First time ever on SACD
⢠Ribbed paper stock
⢠Full resolution DSD audio mastered by Chris Bellman from the original analog master tapes
⢠Japanese pressing