Showing 109–120 of 515 results

T. Rex – Electric Warrior – Numbered Limited Edition 180g 45rpm Vinyl 2LP

£84.00
NOW IN STOCK
Mastered on Mobile Fidelity's State-of-the-Art Mastering System: 180g 45RPM Vinyl 2LP Set Presents the 1971 Record's Reverb, Colors, Tones, and String Arrangements in Full-Tilt Glory
Bang a gong and get it on. At once sardonic, flamboyant, and trashy, T. Rex's uncommonly unique Electric Warrior catapulted leader Marc Bolan to stardom, triggered an ongoing fascination with glam rock, and launched a movement that soon involved David Bowie, Roxy Music, Mott the Hoople, and more. Yet none of those namesake artists ever released a record that out-glammed, out-innuendoed, out-thrusted, or out-camped Electric Warrior – named the 160th Greatest Album of All Time by Rolling Stone and included in the celebrated book 1001 Albums You Must Hear Before You Die.

Natalie Merchant – Tigerlily – 2 x 45RPM 180g Mobile Fidelity Vinyl

£81.00
True to its title, Tigerlily balance fierceness and delicacy, creating a rare span of emotional territory. Listening to Tigerlily, a distinct songwriter's voice emerges, one which possesses strength and vulnerability. The lyrics are personal, the arrangements stark and sparse. Tigerlily was engineered by John Holbrook, who has worked with The Band, Peter Tosh, and the Isley Brothers.

Miles Davis – Porgy and Bess 180g 45RPM 2LP MoFi

£80.00
Mastered from the Original Master Tapes, Pressed at RTI
If a more significant, influential, and lasting result of a creative musical partnership exists than that of Miles Davis and Gil Evans' Porgy and Bess, society hasn't seen it. It's impossible to overstate the importance of the pair's collaboration on the landmark 1959 update of George Gershwin's opera. Transcending genre, time, and place, the profound statement finds Evans and Davis implementing modal approaches in a mainstream context and advancing jazz idioms that would become the foundation of the form's still-classic era. And that's saying nothing of the soulful playing – legendary performances by Davis' first great quintet that can now be heard in pristine detail courtesy of this definitive analog edition.

Sarah Vaughan – Live At The Berlin Philharmonie 1969 – 2LP 180g Mono Version

£79.95
Now in Stock
ā€œThis is an absolutely mesmerizing Vaughan performance of 20 smartly chosen and sequenced tunes — some standards in 1969 and some then new and now standards — intimately mic’d that puts her startlingly and transparently in front of you between the speakers. ,,, the credits (read) cut by Kevin Gray using the original master tapes, lacquers processed at QRP and pressed in Germany on 180-gram vinyl. And that’s how it sounds! Highly recommended.ā€ — Music = 10/11; Sound = 9/11 — Michael Fremer

Legrand Jazz MICHEL LEGRAND AND HIS ORCHESTRA 180G VINYL

£79.95
100% Analog 180g 33rpm Vinyl Mastered by Chris Bellman at Bernie Grundman Mastering Pressed at RTI The greatest assembly of musical talent ever on one album! Features Performances by John Coltrane, Miles Davis, Bill Evans, Ben Webster & 27 More Jazz Greats! Pressed at Record technology for silent surfaces and true fidelity to the analog source.

Donny Hathaway – Everything Is Everything – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl

£79.95
Donny Hathaway’s first studio album Everything is Everything is a significant work in the realm of soul and R&B music, released in 1970. It marked an important point in Hathaway’s career and showcased his exceptional talent as a singer, songwriter, and pianist.

Dusty Springfield – Dusty In Memphis – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl

£79.95
Dusty Springfield shares rarified air with the top soul/R&B queens of the post-WWII era — Aretha Franklin, Etta James, and others.
Originally released in 1969, the concept for Dusty In Memphis was to take England’s reigning female soul queen to the home of the music which had inspired her. Produced by Atlantic’s Jerry Wexler and Arif Mardin and engineered by Tom Dowd, the record’s highlights include ā€œSon Of A Preacher Man,ā€ ā€œSo Much Love,ā€ ā€œBreakfast In Bed,ā€ ā€œJust One Smile,ā€ ā€œI Don’t Want To Hear It Anymoreā€ and ā€œJust A Little Lovin'ā€.

Bad Company – Run With The Pack (Atlantic 75 Series) Analogue Productions 180g 2LP 45RPM Vinyl

£79.95
Released in early 1976, the title track of Bad Company’s third album ā€œRun With The Packā€ is, what one critic described as, ā€œa male-bonding type of songā€ that frontman Paul Rodgers was inspired to write about the group’s non-stop touring adventures.
ā€œRun With The Packā€ is notable for its string arrangement, which Rodgers said he had in mind from the outset. ā€œI wrote that song on the piano, and when I played it to the guys they fell right in. In my head, strings were always part of the song.ā€

Rick James – Street Songs – 180g 45RPM Mofi Vinyl 2 LP

£79.95
Available To Pre-Order
Rick James Blends Brazen Attitude, Fearless Sexuality, and Shrewd Charisma on Street Songs: Punk-Funk Album Aims for the Hips and Head, Includes the Timeless Hit ā€œSuper Freakā€ Sourced from the Original Master Tapes and Strictly Limited to 4,000 Numbered Copies: Mobile Fidelity’s 180g 45RPM 2LP Set Presents 1981 Smash in Audiophile Sound for the First Time 1/4ā€ / 30 IPS analog master to DSD 256 to analog console to lathe

Miles Davis Dark Magus: Live At Carnegie Hall – 180g 33RPM Mofi Vinyl 2 LP

£79.95
Visionary Dark Magus Anticipates Developments in Jungle, Noise, and Drum ā€˜n’ Bass Music: Funky, Ferocious, Free-Form Miles Davis Double Album Is an Exhilarating Jazz-Rock Trip Mobile Fidelity’s Numbered-Edition 180g 33RPM 2LP Set Presents 1974 Performances with Absorbing Detail, Color, and Energy 1/4ā€ / 15 IPS analog copy to DSD 256 to analog console to lathe It’s safe to assume no one in the audience at Carnegie Hall on March 30, 1974 anticipated what Miles Davis would play at the concert documented on Dark Magus. Recorded near the tail end of his electric period, the double album remains the darkest, most ferocious statement of Davis’ career — a visionary effort that foresaw developments in jungle, noise-rock, funk, and drum ā€˜n’ bass. Initially issued in Japan in 1977, Dark Magus waited two decades for U.S. release. Now, more than 50 years after Davis and his ensemble blew minds at the famous New York venue, it's finally available on a definitive-sounding pressing.